Guitar Recording – How to Mic a guitar amplifier

Over the past ten years, great advances in technologies for the guitar, especially in the areas of the GPA, the Cabinet and the stomp-box simulations. In the past, a guitar sound is related to a solid amp, a high-quality microphone and a studio or a decent apartment. have these days, with one unit of the simulation as a Line6 Pod and a PC, you can digitally record a guitar sound convincingly in your own room. This was a gift sent by God to musicians, buy no money for an expensiveAMP, or have no studio power amplifier, this kind of volume needed to capture the sound of classical guitar grip. Although this approach provides a realistic reproduction of a guitar amp, purists still insist always on high heat and the physical presence of his dug into an enclosure.

When it comes to the sound of a guitar amp, there are many slightly different approaches. It is common practice to use a dynamic microphone. Dynamic microphones arerobust, cheap, requires no separate power supply and are perfect for close miking. Because they handle high sound pressure level of radiation is on the speakers. Two of the most commonly used are dynamic models of the Shure 57 and the Sennheiser MD421. Condenser microphones on the other hand, are fragile, expensive and require a power source. They are also very useful for recording guitars, but it's put them together further back, away from the ampthey can capture the sound and ambience of the room. Guitar amp speakers are from a different number of speakers, consisting usually 1.2 or 4 The players themselves can all sound a little different, it is pointless to try and listened to the sound of each speaker miked separately.

These are the most common techniques used in the sound of the guitar amp uses:

1st Help for a dynamic close to the speaker Mike Single.
The microphone is placed directly on speaker Center, so it is almost touching grill cloth. maintain this closeness, the microphone can be moved then the edge of the radius of the speaker, the center-to-along. Variation along the radius, where the microphone will be placed to affect the tone of the recorded sound. Placement in the middle will result in a bright, expressive sound, produced during the microphone closer to the edge, the darker the tone.

2nd The use of a single dynamic microphone, 6-12 inches from theSpeakers>.
Using the same technique as described in the first instance, but to capture the position of the microphone in the next room atmosphere. It is also in a more developed results.

3rd With several nearby dynamic microphones.
The registration of the amp with different microphones and sound mixing is a dynamic, rich lead tone. A good idea is to try to place a dynamic speaker mic dead center and another one on the board. You can also try to put microphones in several forums whereYou have a cabinet with more than one forum. It is also interesting to change an axis of the microphones slightly, you get another variation on the sound.

4th close liaison and remote microphones
If you're a decent condenser microphone, this method is ideal. Place the dynamic mic (s) near the amplifier as described in the above example. With the capacitor and more sensitive position somewhere between 6 inches, a few meters. There may be somefinding experiments, the best result. With separate signals, you may decide to mix them or keep them on separate tracks.

5th Front and rear make his full support Combos
Place a dynamic close as in Method 1 or 2 described. Next, place a capacitor in a small space behind the amplifier, as opposed to the front, as described in the previous example. It is customary to combine the two sounds, but keep in mind that this is an advanced technique, and it can introduce phase problems that theSome technical ability, Audio Process.

When recording guitar sound, it is best to try to, as the record is "dry" as possible. The reason for this is that once the signal was received the guitar with the effect, it is impossible to remove. They could in a situation where the guitar track recorded with an effect, then in the final mix, it means the title is not with the rest of the instruments. Of course this does assume that, you have the equipment, outboard engines and the possibility of addingImpact on the quality of the final composition. But it is a good concept note and in the most basic recording-ups with some of the effects of such transmission channel. This allows you to your guitar stomp-box connector length recorded in a dry or external processing unit and re-record the result of a new runway . It gives you more control over the final product.

Related posts:

1. Bugera 6260 Ultimate Guitar Amp Head Review The BUGERA 6260 is a boutique-style, 2 – channel...
2. Buy cheap stereo power amplifier As we all know, is a power amplifier measured...
3. DVR Standalone DVRs Vs 4 Channel Video recording has come a long way. It was...
4. Adding an amplifier for your car stereo system For the highest quality and best sound system in...
5. Stand-Alone DVRs Vs 4 Channel DVRs Video recording has come a long way. It was...