Cues Up
Cues to start an account is easy to find a starting point, where you mix. One often hears the first sound, but not always, and it would be prudent to establish a single file space, which opens with a strong start in time to choose.

Listening to the reference point (Fig. 1)
Move the slider for the channel that you play, and the crossfader to the right side.
Starting recording rotation with the Start / StopButton.
-Put the needle on the outer edge of the vinyl surface.
-Wait until the music starts, then press START / STOP to stop the rotation of the recording.

(Fig. 1)

Aligning the reference point (Fig. 2)
Slowly, the wind again on the admission of the first slide in the opposite direction.
-Put your hand on vinyl (usually in the middle between the outer edge and label the Clock 8 O ')
No-holds too much pressure on the hand, the other for starting the rotation of the disc again. (TheTray should still spinning with no resistance, but the record company should be disabled).
Manual Push and Pull-vinyl, so it goes back and forth on the first note (benchmark), then instead of pressing time on a push forward.

(Fig.2)

Repeat the same technique, but try without interrupting the rotation of the disc between hearing and tail of the benchmark, so that the tray is constantly doing in motion.

Advanced cueing
"I am theone, because I know where you are! "(Bernard Lose Drummer)
Some files did not start the downbeat, even with a blow to all! They are difficult to use as a benchmark is not so easy to define. It is important to listen hard before you mix, when you try to hear where you should try to drop to start

Kickoff (Up Beats)
Everything is on the downbeat as a pickup truck (beat up). Imagine a record for children rhyme 'The Owl and thePussy Cat! "If you recite this poem, the strong shooting" does not Owl ', the first sound is the "." This means that "is" a pick-up. Their point of reference on this CD would have to hypothetical "Owl" to the rhythm of circulating properly.
Sometimes, a collection can have multiple sounds of Down Beat, so listen carefully when the accent falls. Typically in music, dance, this is accentuated by the bass drum.

Instrumental openings
Too many open filesrhythmically unaccompanied with pads, hitting synths, keyboards and bass lines, before the fight. You can treat this in two ways. First, the intro to play until the door then queue in the task at the head of the time. If you feel a little adventurous, try to listen back through the plate to see how well the instrumental elements of the fight, if it exists, then start and cue up the recording. Imagine the rhythm of the music, like you, then rememberRecord its exact position so that the groove instrumental part and the sound of the drums to accompany you for your opinion. (This of course is much harder to do and require a fully developed sense of inner rhythm).

Fading
In a mixer, you have two options fader. The channel fader (often called "up-fader) and the crossfader (Fig. 3). Fader to adjust the volume of each channel, while moving the crossfader between the channels crossingfrom one to another with a "mix" in the middle.
It is probably best at this time to use faders with its gradual curve of silence to maximum volume of the "mixture" of faders and crossfader as an immediate "switch" between the two channels (assuming your mixer, you can change the cross fader curve) . It is not binding, the game console have, but if a gradual fading of the crossfader, you see the 2 types of faders have the same work asvariety of roles.

(Fig. 3)

How do you create your crossfader, a sharp turn and also ensure that the channels are assigned for both sides. When mixed with are more than 2 channels, you must designate each channel to a specific page on the fader. If you do not, or you can assign the crossfader from: You will not be able to use cross fader to cut the deck to deck.
Before learning beat matching, you should practice the fading between twoRecords in the way the DJs can not spread before the first mixture would. You are likely to encounter some clashes rhythmic (affectionately known as "faux pas") in the development of this technology, but try not to worry too much about it.

Melted between two data sets
Cue up to two discs (1 per tray) and then start with the first sentence with the crossfader on the page relevant to this course. (Step 1)
Make-up-fader forthe second channel to zero.
-If the first record played for some time, move the crossfader in the middle and the game starts, the second record. (Step 2)
Go slowly-fader for the second channel in place, while simultaneously providing high-fader for the first channel until the second record is all that is left.
-Move the slider on the side relevant to the second channel and stop the first recording(Step 3)

Step 1

Step 2

Step 3

Congratulations on your first mix! Now try to make a replica of another record on the original type plate and repeat the progress of the return channel 2 to 1-channel.

It is advisable to select, if possible, the items in a folder in which the track is divided into its musical elements (no battery, but strings / pads, keys, etc.) in merged without complication. Even in the absence of pace, this is natural in a mergertwo records.

Beatmatching

Beatmatching was first introduced by the early disco DJs like Francis Grasso, Steve D'Aquisto and Nicky Siano. As improved equipment, technique, was initially quite rough. Another milestone in the history of the correspondence was used in the introduction of the music produced beats on a drum machine rather than to live where break drummer beats were subjected to the variations in pace.

On modern turntable both vinyl and CD () andSoftware programs, it is quite possible to beat-matching with 100% accuracy. This is a key skill that really perfectly to the needs of practice. There are very few people (even trained musicians), pass the first time, so do not be discouraged by initial failures. You're not the first nor the last, with the proper "train wreck" produce some great DJs taken months or even years to perfect the technique of the appropriate sentence. It is also fair to say that yourProgress will be very helpful if you are a team with a DJ-friendly and patient can already beat matching. This DJ Buddy "in a position to show you where you are going wrong and how to correct the mistakes!

Varispeed controls on turntables
Figure 1 shows the basic functions of a classic varispeed platinum. DJ turntables, you can change the speed in the range of 8 / -8% respectively. Some plates, which extend up to +16 / -16%, but this record has been far from its initial velocity is notSound at all good! The cursor control varispeed height in a gentle slope between these two extremes.
You should begin by examining the impact of this on the sound recording. The further into the less speed you go, the slower it will play the recording. The key will drop (about one step higher, for example, G to F), voice is heard more and more annoying. But how do you most in the area of speed, more, more quickly turn the case. The key will move up (the turn ofa whole tone, for example, from G to A), and every voice is heard above and ChirPie.

Fig.1

The files are exported in 331 / 3 rpm (revolutions per minute) or 45 rpm This is generally a function of the length of the runway. 45s is a louder and more detailed cut, but only allows a maximum of 8 minutes music per side. 331 / 3 rpm is calmer and less than the grooves are more specific and less deep, but it allows more time for implementation.

The flash light redunder the power switch has little use in practice, the mix, but it is a good way to check whether the motor function of the game. With the tray spinning speed to 0, the greatest amount of points appear stationary. At the -3.3 will all these external points, 3.3 the 2nd Inner and 6, the innermost row. The target light shines on the path of the cartridge and you can see the progress of the needle is moving towards. All RecordsGame from the outer edge of the spindle, with the exception of a strange early 90s from techno-Reece called Funky Funk Funk (Network Records 23), which plays at home!

Beatmatching Two Records
There are many analogies to beat matching together two records, one of the best is the brainchild of two cars traveling along a highway. You can have a VW Golf, and the other looks like Peugeot 306 (different brands and, but) the similar vehicles. The goal is that both cars on this pageSide with its front bumper in parallel. To do this, they will each need to get their speed relative to another focus. When it starts to move, they need online, or others need us to play the edge. Pre-and agreed to speed will be useful, but ultimately it will use the eyes and senses.

Now replace the two cars with two folders in the same style (House v. D & B is like a VW to a Ferrari!), On which aeach plate. The objective now is to align the beats and bars of the two folders, roll it in parallel (Fig. 2).

(Fig.2)

The two above-mentioned documents are beatmatched. Note how the fight and count all the elements of the battery is in exactly the same place, kick kick, snare for snare and has for the hat. Even taking into account the variance in the sound of these elements (eg, record 1, a case could be flexible, more low kick or tinnier Hello hats), these two steps wouldIn a mold.

Headphone cue (Fig. 3)
Take-Two cases of similar nature (building, as it almost certainly recommended 4-to-the-ground), first with a single strong shock.
– With the crossfader and up to full volume control for the channel in question, play the first record.
Turn-signal helmet for the second deck and the game starts, the second record.
Find the reference number for the second record manually and let the record ready forRelease.

(Fig. 3)

Record 1 you will hear through the speakers and record 2 in the helmet. To compare the two, a cup over the ear headphones, but take a cup of stops.

Compared Records Ready For The Mix (Fig. 4)
Hear first record 1 and hold (Theorem 2 in preparation, it is like a relay runner waiting for their partners to give them the stick before it) in their own way.
Record-Release-2 in the time with one ofRecords 1
Since the two spin records all match between "Ear Headphones" and "ear speakers.

Fig.4

Starting To beatmatching Two Records
Assuming you're not lucky enough to select two records with exactly the same BPM. (If this happens, reselect a different tune, this error is not the chance to learn the art of correspondence of rhythm!), There are two possible scenarios.

The first scenario is that sentence to begin 2, the lead in Record 1, meaning takes place,It is a quick way. The second scenario is that sentence 2 beginning behind Record 1, which means it is covered by a slow song.
The difference in the pace of the two rates will determine how often this happens. Theorem 2, when only 1 is BPM faster or slower than the absorption of 1, it gradually slip out of sync. If the difference is larger, they fall well within half a bar. A few seconds later, they are like Tom and Jerry battle armed with pots and pans!)

Scenario A-Record2 is faster (start filming Ahead Of Record 1)
Figure 5 shows what happens when Theorem 2 is faster than the record 1 Note that, although from the same time, Record 2 moves to beat the count, and (hence his hit points) faster. At the end of the bar, sentence 2 is out of sync with record 1st

Fig.5

To remedy this situation, you have to do two things.

Correct the pitch of a recording speed (Fig. 6)
To limit Firsthand Record 2 so that it againOnline Registration 1 This requires only a stroke, the case against the current, not really retire. You might want to apply a slight pressure on the side of the plateau, where the flash points.
-Then move the cursor back varispeed so that the file now also spin a little slower than before. (You have to estimate the amount required. Sometimes you can change the speed too much or too little, so you) to continue the process.

Fig.6

Scenario B-2 East RecordSlower (begins to fall behind Record 1)
Either because it starts slow, or because you're too far quicker in the correction of a record left to begin Record 2 channels fall back (Fig. 7). Note that while moving from the same time, Record 2 beat the count (and thus its hit points) slower. At the end of the bar is set 2 is still in step with record 1

Fig.7

Also in order to resolve this situation, you have to do two things.

CorrectionAmount of a slower recording (Fig.
Record 2 First-hand drive, so it brings record 1 This requires only gently promote the record with the flow, do not really think ahead. Too much pressure and it is coming down.
-Then move the cursor in front varispeed so that the file is now turning a little faster than before. (Again, you have to estimate the amount required. Sometimes you can change the speed, too much or too little, so you repeat untilthe process).

Fig.8

You may have to perform the above steps correctly several times and each time more and more specific until you reach the right speed. The correct speed to match the pace of the two data sets is a process of elimination, trial and error until you have.
Sometimes you'll find yourself apart with two turntables at 10%, sometimes find the difference may only be ½%
Even if you think you have synchronized both documents, you mustto remain focused on the orientation snacks to beat begins to lag behind or lead to another.

The scene (Fig. 9)
If you are happy to make record 2 with the technique of fading. When you have just seen, both records in line to be mixed. If you were wrong, they will conflict frightening! Every DJ has done many times, no problem like that. Just re-cue files and try again! Often it is wise to look at cue anyway, so you canChoose a good place to put your mix.

Fig.9

It is recommended for all levels, his helmet on his head so that you can to the second disk, as you mingle in a loose mix, many DJs as they take off their headphones, since they are on when you learn not very concerned "ambient mix" is a stupid thing to do. You can also correct the speed of the wrong record if the mixture starts to skid, thus making the impact worse!

Remember, Beat matching isChallenge, therefore, not be disappointed when you fight for the two sets on the first mix. It takes time, and when you finally, you have every reason to believe that you have achieved something!

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If you yearn to travel and likes you to beautiful places around the globe, it will be helpful in any case, if you know how to speak Spanish. Mexico,Spain and Latin America where Spanish is spoken are wonderful places, and it is a shame if the opportunity to enjoy their beauty to miss just because you do not have time to study their language.

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